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WHEN BLOOD LEARNS TO LOVE, An Essay from the Backroom of Creation

Photo: Ganiarov Publishers LLC WHEN BLOOD LEARNS TO LOVE An Essay from the Backroom of Creation No novel begins on a page. It begins earlier — in the tremor that provokes it. For years, I carried in silence a question that haunted me like a voice that refused to fade: Where does love come from when it is born from pain? That is my obsession — love in all its manifestations. It wasn’t a theoretical question, but a visceral one. I had seen how love, in its purest or most perverse forms, could destroy as much as it could redeem. And I knew then that I could only write about what hurt me to understand. That is how When Blood Learns to Love was born: from unease, from a nameless guilt, from the certainty that even tenderness can become an act of cruelty when it rests upon an unhealed wound. Every act of creation is a postponed confession. One does not write because one knows, but because one bleeds. When I began sketching the story, I wasn’t seeking to build a thriller or a plot driven by ...

THE THEOLOGICAL HERMENEUTICS OF EFFECTIVE GRACE IN TIRSO DE MOLINA'S PLAY “EL CONDENADO POR DESCONFIADO” (THE CONDEMNED FOR BEING DISTRUSTFUL).

DE LA HERMENÉUTICA TEOLÓGICA DE LA GRACIA EFICAZ EN LA OBRA DE TIRSO DE MOLINA “EL CONDENADO POR DESCONFIADO”