Escrito de Memoria

  photo by Leon Guerrero The Boss" in Pinterest Ritual Reggae and Andean Flute as a Mystical Form of Desire Rhythmic Structure: Reggae as Ritual Pulse Reggae, with its syncopated offbeat and inner pulse, establishes in Temple an organic, earthy, and meditative foundation. But unlike festive or combative reggae, here the genre appears subtle, stylized, slowed down—functioning more as a sacred heartbeat than a dance. The drums and bass, though discreet, offer the typical soft “one drop” of reggae—with the beat falling on the third count—giving the music an internal sway, like the pendulum of the soul . This rhythm acts as an emotional substrate over which the poetry can float, be recited, be embodied . Rhythmic Conclusion: In Temple , reggae becomes a language of the numinous . There is no Rastafarianism nor rebellion here, but rather a cosmic and ancestral pulse that accompanies a journey of invocation. The Andean Flute: Bridge Between the Earthly and the Spiritual The pr...

Photo: Leon Guerrero " The Boss" in Pinterest Reggae ritual y flauta andina como forma mística del deseo: Estructura Rítmica: el Reggae como Pulso Ritual El reggae, con su contratiempo sincopado y su pulso interior , establece en “Temple” una base orgánica, terrenal y meditativa . Pero a diferencia del reggae festivo o combativo, aquí el género aparece sutil, estilizado, desacelerado , funcionando más como un latido sagrado que como danza. La batería y el bajo , aunque discretos, ofrecen el típico “one drop” suave del reggae —con el golpe en el tercer tiempo— que le da una sensación de balanceo interno, como un péndulo del alma . Este ritmo funciona como sustrato emocional sobre el cual la poesía puede flotar, recitar, encarnar. Conclusión rítmica: El reggae, aquí, se transforma en lenguaje de lo numinoso . Ya no hay rastafari ni rebelión, sino un pulsar cósmico y ancestral que acompaña un viaje de invocación. La Flauta Andina: puente entre lo telúrico y lo e...

photo by : ArtWear Creations When one said "I love you" to the other, it imprisoned them, placing a brake on the other's unpredictability and freedom. This seemingly simple phrase hides within itself a fundamental paradox of love: by saying it, one affirms the existence of that feeling, yet also establishes an invisible boundary that encloses it. To say “I love you” is not only a declaration—it is an action that transforms. It is like throwing a stone into the still waters of another’s solitude: it creates ripples, disturbs the balance, alters the natural course of things. It was as if, by uttering those words, an invisible but firm border had been drawn—a fence of affection that, though unseen, began to define the margins through which each could move. Love, in its purest form, is movement, fluidity, something that escapes control; but when named, when grasped with language, structure is imposed upon it, shape is given, and within that shape there always lies a shadow of...