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WHEN BLOOD LEARNS TO LOVE, An Essay from the Backroom of Creation

Photo: Ganiarov Publishers LLC WHEN BLOOD LEARNS TO LOVE An Essay from the Backroom of Creation No novel begins on a page. It begins earlier — in the tremor that provokes it. For years, I carried in silence a question that haunted me like a voice that refused to fade: Where does love come from when it is born from pain? That is my obsession — love in all its manifestations. It wasn’t a theoretical question, but a visceral one. I had seen how love, in its purest or most perverse forms, could destroy as much as it could redeem. And I knew then that I could only write about what hurt me to understand. That is how When Blood Learns to Love was born: from unease, from a nameless guilt, from the certainty that even tenderness can become an act of cruelty when it rests upon an unhealed wound. Every act of creation is a postponed confession. One does not write because one knows, but because one bleeds. When I began sketching the story, I wasn’t seeking to build a thriller or a plot driven by ...

Broken Tiles


Image: Anonimous Francista



It is blurry

the homeland from a distance

But what is the homeland? you ask me

I look at it

like a loving woman with long braids

you see it and point it out

amidst the stench and the authoritarian smoke

you point it out

like a bread that tastes like distant glory in the sublime rage of the abused.

You are small, I say

and perhaps you will rise like autumn to a river

while at your side I walk

undecided both between terror and courage, children between the tumult 

and the grim faces of barbarism.

The Homeland is:

Body without body

Binding of delirium

the light of the lamp in the night

that gives the necessary shelter

Homeland is to walk with your head held high

Sweat, effort and light

honest work

Study, love and sacrifice

Homeland is

what we do together walking

to return

and rebuild the broken tiles of our sky



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