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WHEN BLOOD LEARNS TO LOVE, An Essay from the Backroom of Creation

Photo: Ganiarov Publishers LLC WHEN BLOOD LEARNS TO LOVE An Essay from the Backroom of Creation No novel begins on a page. It begins earlier — in the tremor that provokes it. For years, I carried in silence a question that haunted me like a voice that refused to fade: Where does love come from when it is born from pain? That is my obsession — love in all its manifestations. It wasn’t a theoretical question, but a visceral one. I had seen how love, in its purest or most perverse forms, could destroy as much as it could redeem. And I knew then that I could only write about what hurt me to understand. That is how When Blood Learns to Love was born: from unease, from a nameless guilt, from the certainty that even tenderness can become an act of cruelty when it rests upon an unhealed wound. Every act of creation is a postponed confession. One does not write because one knows, but because one bleeds. When I began sketching the story, I wasn’t seeking to build a thriller or a plot driven by ...

Tejas Rotas



imagen: Anonimous Franscista



Es borrosa

la patria desde lejos

pero, ¿Qué es la patria? me preguntas

yo la miro

como amante mujer de largas trenzas

tú la ves y la señalas

entre la peste y el humo autoritario

la señalas

como un pan que sabe a gloria lejana en la excelsa rabia del violentado

Eres pequeño, digo

y quizás subirás como otoño a un río

mientras a tu lado camino

indecisos ambos entre el terror y el valor, niños entre el tumulto 

y los rostros adustos de la barbarie

La Patria es:

Cuerpo sin cuerpo

Atadura del delirio

la luz de la lámpara en la noche

que da el abrigo necesario

Patria es caminar con frente en alto

Sudor, esfuerzo y luz

trabajo honrado

Estudio,amor y sacrificio

Patria es

lo que hacemos juntos caminando

para regresar

y recomponer las tejas rotas de nuestro cielo


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